FVTV original music feature ·
TBKAYZ Made Every Part of “All On Me.” The Relationship Still Won’t Let Go.
The Nigerian artist based in Braunschweig wrote, produced, mixed and mastered the moody song himself, turning one returning phone call into a full creative statement.
“Hey, it’s me again.” That phone-call opening gives “All On Me” its entire problem before the beat has to explain anything. Somebody says the relationship is over, then keeps calling and coming back. TBKAYZ turns that cycle into a dark, relaxed R&B-trap record where frustration stays controlled until the hook draws the line.
The independence behind the song is just as important as the situation inside it. In material supplied directly to FVTV on October 14, TBKAYZ said he wrote, produced, mixed and mastered “All On Me” himself. There is no handoff between songwriter, producer and engineer here; every choice lands back on one artist.
TBKAYZ identifies himself as a Nigerian artist based in Braunschweig, Germany. He moves among R&B, rap, Afrobeats, Amapiano and drill, and says “All On Me” is one side of that range rather than the whole picture.
One person handled every job
Self-production can make a record feel unusually unified because the same person controls the writing, arrangement, vocal performance and final mix. On “All On Me,” the low-lit production, restrained delivery and repeated refusal in the hook all point in the same direction.
It also means the creative strengths and weaknesses belong to the same decision-maker. TBKAYZ is not only the voice explaining the relationship; he built the space around that voice and decided how close it should sit to the listener.
A phone call starts the argument
The opening message works because it drops the audience into a conversation already in progress. There is no long setup. The returning caller is enough to establish the pattern: distance gets announced, contact resumes and blame starts moving in both directions.
The hook’s “don’t put it all on me” response is simple enough to stick, but it also complicates the narrator’s position. He is rejecting full responsibility without pretending the connection is clean or finished. That tension gives the song more weight than a generic breakup record.
The mix carries the mood—and hides some of the words
The production’s dark low end helps the song feel late-night and closed-in. TBKAYZ keeps his performance measured instead of shouting over it, which fits the exhausted mood.
That same darkness occasionally pushes the verses too far behind the atmosphere. A little more top-end presence on the vocal would let the story cut through without sacrificing the low-key character. The song already knows how it wants to feel; the next mix decision is making every word land as clearly as the hook.
“No Apologies” is meant to show more than one lane
TBKAYZ says “All On Me” appears on his latest EP, “No Apologies,” released October 10. He describes the project as a mix of sounds, which fits an artist who does not want his Nigerian background, German base or production choices reduced to one genre tag.
Start with “All On Me” for the moody R&B-trap side: a returning phone call, a relationship that will not stay finished and one artist taking responsibility for every creative role—even while the hook refuses to accept all the blame.